The Transhistorical Folk Landscapes of Lutine

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MUSIC: Lutine ~ White Flowers ~ a new album of haunting minmalist folk by Brighton-based duo, Heather Minor and Emma Morton, available to pre-order here LABEL: Front and Follow WORDS: Gareth E. Rees The debut album by Lutine emerges, shimmering, through a rift

The Drinker’s London & the Poems of Salena Godden

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WORDS: Gareth E. Rees In 2001 I became a weekend DJ in Filthy McNasty’s, a pub in Islington, sadly no longer with us. I was paid in beer to put one song on after another, while the pub ebbed and

Requiem for a Village

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(1975, dir. David Gladwell) LOCATION: Norfolk Words: Gareth E Rees This film from 1975 is as close to the spirit of my own book Marshland as I’ve come across in film or literature. It has the feel of a documentary,

On Walking… And Stalking Sebald

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A review of On Walking, by Phil Smith [Triarchy Press, 2014] Words: Gareth E. Rees Location: East Anglia Phil Smith (aka Crab Man, Mytho, Anton Vagus, Spacetart) fuses walking with performance art. He describes his practice as mythogeography – a

Tales from the Black Meadow

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By Chris Lambert “This is a beautiful, compelling book of folklore. What’s most haunting about this book is that the stories feel like they’ve been lingering at the back of your mind all your life. The sparse, propulsive prose gives

Connecting Nothing with Something

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  Influx Press   Connecting Nothing with Something explores the conflicted and shifting landscape of the south east English coast. This anthology looks at art led regeneration, hidden history, the ghosts of youth culture, white cliffs, empty holidays and kisses under

Marshland: Dreams and Nightmares on the Edge of London

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By Gareth E. Rees, illustrated by Ada Jusic [Influx Press, 2013] Marshland is a deep map of the east London marshes, a blend of local history, folklore and weird fiction, where nothing is quite as it seems…. “Layered London, black,

Life in Transit

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By Sam Berkson Influx Press Life in Transit is a poetry collection from Sam Berkson that explores the experience of public transport in neoliberal Britain. Whether it’s protesting the third runway at Heathrow, questioning Tannoy announcements in railway stations or celebrating