Welsh Folk Music by Fernhill: Where Geography & Calendars Collide

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LOCATION: Swansea MUSIC: ‘Amser’ by Fernhill Inside. Outside. Byth (Ever. Never). Tock Tick. A collision between mechanical time, seasonal time, life time, generational time, cultural time, poetic time, no time < particles of eternal love… Fernhill’s guitarist Ceri Rhys Matthews

Unofficial Britain Soundtrack 2014

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WORDS & MIX: Gareth E. Rees Cover illustration: Maxim Peter Griffin Below is a selection of UK-based music, all released in 2014, which touches upon themes of landscape, time consciousness, folklore, horror, hauntology and uncanny narratives. In other words, a

Marshland at Spike Island

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LOCATION: Bristol (via Hackney) WORDS: Gareth E. Rees On November 27th, I’m going to be at Spike Island in Bristol, talking about my book Marshland, a trip through the marshes of East London, where I encounter a lost world of Victorian filter

Kemper Norton’s Loor & the Thing that Is Coming Up My Stairs

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WORDS: Gareth E. Rees  LOCATION: Cornwall, Sussex, Wales, Unnamed Cities Night time. I’m at my computer, listening to Kemper Norton’s new album, Loor. Loor is Cornish for moon. There’s no moon on the coast of East Sussex tonight. Not from my window,

A Sound Walk On Walthamstow Marsh

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WORDS & SOUNDS: Mark S. Williamson (Spaceship) Constructed from field recordings collected on Walthamstow Marshes, this single track plays out an afternoon’s walk. Sounds, natural and man made, compete in this area of wilderness in London’s East End. Though for the

High Rise: a Homage to North East England Brutalism

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LOCATION: Gateshead, Tyne & Wear MUSIC: High Rise by Caisson – recorded on location at the site of the former Dunston Rocket, Gateshead, 2012 WORDS: Craig Johnson Derwent Tower (also known as The Dunston Rocket) will be remembered as both

Suspected Rural Telephone Poltergeist

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A mix of haunted ambience, analogue electronics, drones and telephone boxes by the wonderful The Geography Trip label. Find out more about their releases here. “The receiver sways slightly although the morning air is still. Something glints in the returned

The Wiccan Circle

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MUSIC: Concretism FILM: The Kill Shop WORDS: Gareth E. Rees Here’s some music from the ever-excellent Concretism. Chris Sharp’s world is  a sonic exploration of a rabies-blighted parallel past, frazzled by microwaves, where people in carefully-planned towns live in perpetual fear of

Jesse Hector and The Hammersmith Gorillas

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LOCATION: London DOCUMENTARY: A Message to the World [dir. Caroline Catz] WORDS: Gareth E. Rees This is a fine slice of unofficial rock history, helping quash any notions that somehow the Sex Pistols and the Damned were created by some

The Transhistorical Folk Landscapes of Lutine

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MUSIC: Lutine ~ White Flowers ~ a new album of haunting minmalist folk by Brighton-based duo, Heather Minor and Emma Morton, available to pre-order here LABEL: Front and Follow WORDS: Gareth E. Rees The debut album by Lutine emerges, shimmering, through a rift